INTRODUCTION TO THE SUBJECT (5:04 P.M.)
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Culture is the way of life.
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The understanding of culture helps the administrators in devising the policies that are acceptable to the society.
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The absence of such understanding may lead to insensitive behavior as shown by the United States help campaign during the Bhuj earthquake campaign.
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Culture is dynamic. The cultures that don't change may become extinct.
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The Indian economy cannot work without its culture. We are a culturally driven economy.
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Topics
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(a) Architecture and Sculpture
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(b) Religion and Philosophy
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(c) Classical Dance
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(d) Classical Music
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(e) Indian Paintings
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(f) Language and Literature
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(g) Bhakti and Sufi Movement
REFERENCE MATERIAL
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Introduction to Fine Art, Part I and II. (NCERT)
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Class Notes.
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VisionIAS material.
ANCIENT ARCHITECTURE (5:30 P.M.)
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Indus Valley Civilization (2600-1800 BCE)
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Mauryan Age Art (321- 185 BCE)
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Post-Mauryan Art (185 BCE- 200 AD)
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Gupta Age Art (319 AD- 550 AD)
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South Indian Architecture (600 AD-1100 AD)
MEDIEVAL ARCHITECTURE (INDO-ISLAMIC ARCHITECTURE)
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(a) Delhi Sultanate (1206-1526 CE)
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Imperial Art
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Slave Period (1206- 1290)
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Khilji Period (1290-1320)
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Tuglaq Dynasty (1320-1414)
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Sayyid (1414-1451)
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Lodi (1451-1526)
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Provincial Art (1200-1600)
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Bengal Art
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Jaunpur Art
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Malwa Art
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Bijapur Art
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(b) Mughal Period (1526-1707 CE)
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Mughal Art
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Akbar (1556-1605)
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Jehangir (1605-1627)
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Shah Jahan (1627-1658)
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Aurangzeb (1658-1707)
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Provincial Art
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Rajput Architecture
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Sikh Architecture
MODERN BRITISH PERIOD ARCHITECTURE (1765-1947)
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Indo-Gothic Style of Architecture (1765-1911)
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Neo-Roman Style of Architecture
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Awadh Architecture (Contemporary to British Architecture)
INDUS VALLEY CIVILIZATION (5:50 P.M.)
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Topics to be covered
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(a) Seals
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(b) Pottery
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(c) Sculptures
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(d) Town Planning
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In 1921, Dayaram Sahni excavated the site of Harappa in the Montgomery district of Pakistan.
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Later in 1922, Rakhal Das Banerjee excavated the town of Mohenjodaro in the Sindh province of Pakistan.
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With the excavation of the two sites, it was proven without a doubt that the Indus Valley was one of the most advanced civilizations in the world.
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The most advanced feature of this civilization was the use of burnt brick of the same shape and size.
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Another advanced feature was the immaculate urban planning of the Indus Valley towns.
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Following are the important artefacts and architectural details of the Indus Valley:
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Seals
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Seals are one of the most important sources of information about the Indus Valley Civilization.
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To this date, more than six thousand seals have been found.
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Seals are geometrically shaped objects mainly made up of soft river stone Steatite.
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But there are instances of seals made from copper, bronze, terracotta, gold, and silver as well.
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Seals were pictographic.
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This means it had a good number of pictures and symbols.
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These symbols were created from right to left direction.
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Examples,
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(a) Pashupati Seal
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Majority of the historians refer to it as the image of proto-shiva or Adi-shiva.
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The seal depicts the concept of cohabitation and nature worship, and it seems that yogic practices were known to the Indus Valley People.
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(b) Seal with the peepal leaf
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This seal indicates nature worship.
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(c) The most abundant seal found in Indus towns was the unicorn seal.
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It is the depiction of a one-horned mythical animal.
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Purpose of the Seal (6:21 P.M.)
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(a) Perhaps, the seals were the earliest type of coinage, which facilitated in-trade.
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(b) They are also believed to be stamps of the Indus Valley Civilization.
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(c) In some of the seals mathematical symbols like pi and phi were also created, which suggests that maybe they were also used as an educational tool.
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(d) Seals were also used as shamanic amulets to ward off the evil spirit.
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Pottery (6:28 P.M.)
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(a) General Purpose Pottery
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The general-purpose pottery of the Indus Valley Civilization was red or ochre.
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It was mainly used as utensils, storage of grains and water, etc.
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(b) Miniature Vessel
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They were small, narrow, but elongated pottery with beautiful designs on it.
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It was mainly used for decoration.
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(c) Perforated Pottery
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These potteries had wider mouths, and the body had innumerous perforations.
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Generally, it was smokey grey and was meant for straining liquor.
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(d) Faience Pottery
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Faience was a bony white material mainly found in the upper part of Gujarat.
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It was used for creating small utensils with beautiful designs.
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Sculpture (6:41 P.M.)
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Sculpture is a three-dimensional piece of art purely based on one's imagination.
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There were three types of sculptures discovered from the Indus towns.
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(a) Stone Sculpture
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There are very examples of stone sculptures. They were made from soft riverstone steatite.
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The best surviving example is the image of a bearded priest draped with a trefoil-patterned shawl and wearing a headband and an armband.
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(b) Terracotta Sculptures (7:06 P.M.)
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Terracotta means the clay shape which is baked on fire.
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A large number of terracotta figures were created in the Indus towns.
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The most abundant terracotta figure found in almost all the Indus towns is the image of the mother goddess.
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She is also regarded as the goddess of fertility.
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Based on the abundance of this image, the majority of historians believe that the Indus society was matriarchial in nature.
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(c) Bronze Sculpture
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The bronze sculpture was created through the lost wax technique.
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In the very first step, a wax sculpture was created to be covered with clay.
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Now, the figure was baked in fire, and molten wax was replaced with molten bronze.
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After enough cooling hardened clay was removed and the sculpture was polished and refined.
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For example, the Dancing Girl of Mohenjodaro.
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URBAN PLANNING AND TOWN PLANNING OF INDUS VALLEY CIVILIZATIONS (7:26 P.M.)
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Generally, Indus towns were divided into two parts, i.e. upper town and the lower town.
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Upper town was created on an upraised platform and generally, they were fortified.
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In this part of town, mainly administrative buildings were created.
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Apart from that, granaries were created for the storage of grains.
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These were created scientifically so that they would not get spoiled due to anaerobic fermentation.
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Another remarkable feature of the upper town was the provision of the common bath.
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The best example is the great bath of Mohenjodaro.
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Great Bath
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It is a stepped water tank.
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The stairs are created in the north and south directions.
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Moreover, the stairs were made from burnt bricks of the same shape and size.
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On the east and west sides, the galleries, changing rooms, and washrooms were created.
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Lower Part of the Town
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The lower town was mainly meant for habitation of the commoners and it was the largest part of the town.
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It had a very good network of roads, which used to cut each other at right angles.
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On both the sides of road, the drains were covered with either stone slab or brick slab.
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These drains had cesspits coated with gypsum at regular intervals.
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Gypsum filtered the wastewater and recharged the ground with clean water.
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Towns were divided into many sectors inside which the houses were created with burnt bricks of the same shape and size in the ratio of 4:2:1.
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Generally, the houses were not created facing the direction of the main road.
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Perhaps it was done to keep their privacy intact.
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Inside the sectors, we come across examples of single-storied houses, double-storey, and even triple-storey houses.
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Though the inequality can be seen, the society was not discriminatory.
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Each of the houses had a separate bedroom, kitchen, and washroom.
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The houses were connected to the main drain.
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The town of Dholavira is an exception to the two-layered planning. In this part, the town was divided into three parts, i.e. upper town, the middle town, and the lower town.
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Another notable feature of the Dholavira is the radial drainage system.
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Recently, the site of Dholavira was included in the UNESCO Heritage Sites.
THE TOPIC FOR THE NEXT CLASS: ARCHITECTURE AND SCULPTURE (CONTINUED)